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  <url>
    <loc>http://www.tunni.com.au/installation</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2017-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1475915960887-8T80YYCLILJGQZW0Z7C7/Suburban_Time+_Capsule_Kraus_b.jpg</image:loc>
      <image:title>site-specific installation - Suburban Time Capsule // McClelland Sculpture Survey // Melbourne // 2014</image:title>
      <image:caption>Suburban Time Capsule explores consumption as a critical movement in the structure and content of community and self. It seeks to materialise the compressed and fractured nature of Australian suburbia, through the ritual entombment of our everyday objects. It hopelessly memorialises the consumer-citizens enslaved within the facade of individual freedom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1475915960887-8T80YYCLILJGQZW0Z7C7/Suburban_Time+_Capsule_Kraus_b.jpg</image:loc>
      <image:title>site-specific installation - Suburban Time Capsule // McClelland Sculpture Survey // Melbourne // 2014</image:title>
      <image:caption>Suburban Time Capsule explores consumption as a critical movement in the structure and content of community and self. It seeks to materialise the compressed and fractured nature of Australian suburbia, through the ritual entombment of our everyday objects. It hopelessly memorialises the consumer-citizens enslaved within the facade of individual freedom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1480238509095-E3Z6LO8QIKISQJ1DYNPD/kraus_WashedUp_small.jpg</image:loc>
      <image:title>site-specific installation - Washed up // Installation // Sculpture by the Sea Bondi // Sydney // 2013</image:title>
      <image:caption>A site-specific installation commemorating drowned asylum seekers and refugees persecuted by the Australian Government. The installation acts as a poignant wake up call and functions as an ephemeral place of conversation, reflection and mourning. A shipwrecked Indonesian fishing trawler lays on Tamarama Beach. Image: Kate Bowtell With Thanks: Bury's Slipway Nungurner, Roch Willner, Cliffie Rosenberg and Brendan Bensky Interview: vimeo.com/tunni/washedup</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1475917632224-E388TI7UAS54Z5BFANOT/Kraus_gold_shopping_carts_small.jpg</image:loc>
      <image:title>site-specific installation - Golden Shopping Trolleys // Sculpture at Scenic World // NSW // 2016</image:title>
      <image:caption>This intervention explores the complexities of dominant modes of consumption through distortion of the shopping trolley into a meditative trophy of purchase.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1480238533754-ZQBRDHDQLCZB22EPRC9G/I_Lit_A_Fire_Kraus_Fallow_vscrop.jpg</image:loc>
      <image:title>site-specific installation - Fallow // Intervention // Collaboration with Carmen Reid and Robbie Rowlands // 2013</image:title>
      <image:caption>A room is blackened. Dripping. Bleeding. Crying. Each inky dribble falling on and ending in its own solo path. An adjoining room is beautified by a sunlit maze of yellow connected passages and pathways. The rooms are a push and pull between belonging and owning, settling and settlement. Image: Andrew Wuttke www.fallowintervention.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1475802526946-RO6KMT4MZ6ZHD0H4WUQM/Suburban_awnings_kraus.jpg</image:loc>
      <image:title>site-specific installation - Suburban awnings // Building façade // Justin Art House Museum // Melbourne // 2016</image:title>
      <image:caption>Drawing from the Australian landscape painting tradition, this commissioned work uses lines and colours to evoke an archetypal design element of Melbourne suburbia. Using striped canvas awnings as a muse, the work reflects upon the function of the awnings as a demarcation between public and private life and on self representation, identity and façade.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1475925530246-30YCMNQY4PB3KRMHJNEK/Sinking_Crates_Kraus_Tunni_crop.jpg</image:loc>
      <image:title>site-specific installation - Sinking Crates // Collaboration with Claire Tracy // Melbourne // 2010</image:title>
      <image:caption>An assemblage of modified milk crates, innocuously sunk into the ground of a suburban strip.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.tunni.com.au/interactiveart</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1507201444546-9CL1LFWMMI930KI5MA37/long+distance+relationship.jpg</image:loc>
      <image:title>interactive installations - A Long Distance Relationship // Kinetic Installation // Oil Art Space // Hong Kong // 2017</image:title>
      <image:caption>  Through collecting and reassembling mobile phones, a new system is created that dissects our everyday communication habits and subtly unravels the tensions and anxiety brought about by the emergence of constant connection. A new long distance relationship. project site: www.temperatureofcommunication.com Interview:  www.vimeo.com/tunni/aldr  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1507202373847-O5V6F17UMDTBL43S8NA9/Scribe_car_mona_small_square.jpg</image:loc>
      <image:title>interactive installations - Isaiah’s Prophecy // Multiple Participant Audio-visual // Collaboration with Cliffie Rosenberg // Mona Foma // Tasmania // 2013  </image:title>
      <image:caption>  Isaiah’s Prophecy is a muliti-user/group installation that celebrates the inherent timelessness of collective sound generation. Utilising a repurposed car body, the installation permits the carved physical prayers to act as a framework for a participatory, audience led experience. Evoking a post-apocalyptic sensibility, the unpredictability of the work suggests the potential of a communal music machine.  image: Ronch Willner Installation video    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1507202203192-D6ZCBU9V1R4ZIC3MEG4B/supermarket_art.jpg</image:loc>
      <image:title>interactive installations - The Domain Lifestyle // Web, New Media Installation // Collaboration with Brendan Bensky and Ronch Willner // BSG // Melbourne // 2015</image:title>
      <image:caption>  The Domain Lifestyle is an interactive new media installation created as a stand-alone router with associated captive portal to eleven satirical websites. Intended to visualise relatively unseen components of the internet user interface as well as reflect upon the contemporary Australian real-estate marketing and property ownership anxieties. thedomainlifestyle.com    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1507202223289-VU24QFDONYBK7C5KTO4E/tunni_press_hash_small.jpg</image:loc>
      <image:title>interactive installations - Press Hash // Participatory Installation // Collaboration with Ronch Willner // FCAC Spectres of Evaluation // Melbourne // 2014  </image:title>
      <image:caption>  A seditious version of Yoko Ono’s telephone piece, Press Hash connects participants to a teleprompter system that narrates ‘a choose your own adventure’ by providing prompts to personal responses. Press Hash tests the boundaries of aesthetic human exchange and questions the value of the absence of face-to-face communication. Image: Daniela Rodriguez telephoy.com    </image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.tunni.com.au/on-now</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1553960924437-57IRFKENZPSP3PKT0P6U/P1110190cs.jpg</image:loc>
      <image:title>asemic scores</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1553960924437-57IRFKENZPSP3PKT0P6U/P1110190cs.jpg</image:loc>
      <image:title>asemic scores</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1561411833970-SKYXDWQCK8QM1X8SAVP0/Calligraphic_Score+Sellasia_polski_kraus.jpg</image:loc>
      <image:title>asemic scores - Calligraphic Score Sellasia, 2019</image:title>
      <image:caption>Marili Pizarro is presented with a movement score to perform in a local Peloponnese café. Reimagined into fluid a two-minute routine, Marili reinterprets the calligraphic qualities of the score live. Using the same tools as the original score, Marili’s movements are then scribed into over 250 Calligraphic glyphs. Each glyph resembling a character in a primordial alphabet – a language that then forms the basis for a sound score given to Robert Jedrzejewsk. Produced at the Koumaria Residency 2019, Sellasia, Greece. Jordan Edge, Dasha Ilina, Robert Jedrzejewski, Tunni Kraus, Joshua Legallienne, Kurtis Lesick, Evi Nakou, Marili Pizarro, George Salameh, Nour Sokhon, Malgorzata Sus. Media Electronique Participants, 2019; Vicky Bisbiki, Kleopatra Korai, Eric Lewis, Yannis Lolis, Manolis Maniusakis Documentation Michael Higgins. OCR Software development Hallel Kula video link</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1561412151020-GXYNQOPU9672IVF7PEVS/granted_the_right_kraus.jpg</image:loc>
      <image:title>asemic scores - Granted the Right to be Granted, 2019</image:title>
      <image:caption>Studying the movement of Loanna Kabylafka and Stavros Apostolatos in Instant Quartet (2010) and scribing each movement as a reverse score. The transcriptions of the movements were run through optical character recognition data to abstract new text. This new text together with the original transcriptions were painted on our bodies and then performed in real time. A collective performance in the same location, Instant Quartet in re-enacted eight years later. Produced at the Koumaria Residency 2019, Sellasia, Greece. Jordan Edge, Dasha Ilina, Robert Jedrzejewski, Tunni Kraus, Joshua Legallienne, Kurtis Lesick, Evi Nakou, Marili Pizarro, George Salameh, Nour Sokhon, Malgorzata Sus. Media Electronique Participants, 2019; Vicky Bisbiki, Kleopatra Korai, Eric Lewis, Yannis Lolis, Manolis Maniusakis Documentation Michael Higgins. OCR Software development Hallel Kula Video Interview https://vimeo.com/341456464 Two channel performance video https://vimeo.com/344161529</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.tunni.com.au/new-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1724790350638-Y8YFV8YXEZN2ZQ6XLUB6/02_Unease_DK_Kraus_v2+copy.jpg</image:loc>
      <image:title>the primordium - Unease, oil on board, 42 x 42cm, 2024</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1724787837457-M6Y3M31WT5VMI17CQ92O/02_Unease_DK_Kraus_v2+copy.jpg</image:loc>
      <image:title>the primordium - Unease, oil on board, 42 x 42cm, 2024</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1724790350638-Y8YFV8YXEZN2ZQ6XLUB6/02_Unease_DK_Kraus_v2+copy.jpg</image:loc>
      <image:title>the primordium - Unease, oil on board, 42 x 42cm, 2024</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1724787790684-R7PV0J8IHLP95VOFOWPM/04_Royal_Meeting_DK_Kraus_V2+copy.jpg</image:loc>
      <image:title>the primordium</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1724787868004-2W23A1ECB3JWEZHRU1RK/09_Vav_DK_Kraus_V2+copy.jpg</image:loc>
      <image:title>the primordium - Vav, oil on board, 42 x 42cm, 2024</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1724787819825-AXMRCBFVBYFI188VAKX7/06_Kotz_DK_Kraus_V2+copy.jpg</image:loc>
      <image:title>the primordium - Storm, oil on board, 42 x 42cm, 2024</image:title>
      <image:caption>A series of 10 paintings taking stylistic inspiration from El Lissitzky and offering conceptual interpretation of The Primordium by Der Nister, published in Warsaw in 1910. The work examines the anxieties associated with the creative act, attempting to map our self-consciousness and creative drive for self-expression. The series of paintings evolve as an examination of our relationship with cosmic silence and nothingness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57f6cbfb5016e1525991920f/1724787745788-PV7C9VF5ZLMOAS41CGWO/04_Royal_Meeting_DK_Kraus_V2+copy.jpg</image:loc>
      <image:title>the primordium</image:title>
    </image:image>
  </url>
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      <image:title>Projects - Preserved Lemons</image:title>
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      <image:title>Gabriella Cohen Meditation 5777 statement</image:title>
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      <image:title>Prints &amp; Publications - Dill Pickles</image:title>
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      <image:title>Prints &amp; Publications - Dill Pickles</image:title>
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    <lastmod>2015-10-15</lastmod>
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    <lastmod>2015-10-15</lastmod>
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      <image:title>Prints &amp; Publications - Spring Mix</image:title>
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